Stephen Stills

The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies.

He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador.

Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend".

Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success.

The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching No.

[citation needed] Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise.

He was invited by David Crosby to play on Mitchell's 1968 debut album Song to a Seagull, on the track "Night in the City".

[17] Throughout the years from 1968 to 1972, Stills played on a variety of Mitchell's studio albums such as Song to a Seagull, Clouds, Ladies of the Canyon, Blue, and For the Roses.

During CSN&Y's set at Altamont Free Concert, Stills was reported to have been repeatedly stabbed in the leg by a "stoned-out" Hells Angel, with a sharpened bicycle spoke.

In 1970, Stills released his eponymous solo debut album featuring guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T Jones and Ringo Starr (credited only as "Richie") as well as Crosby, Nash, Rita Coolidge and CSN&Y drummers Dallas Taylor and Johnny Barbata.

The 1970 album cover was shot by photographer Henry Diltz in Colorado, in the early hours of the morning after the death of Jimi Hendrix.

In 1969, Stills was invited to temporarily join the Jimi Hendrix Experience on tour as their bass player, but was held up by previous commitments with CSN&Y.

[15] Stills's performance at Madison Square Garden occurred one day prior to George Harrison's Concert For Bangladesh.

Stills donated his stage, sound, lighting system and production manager in kind, but was later upset when Harrison "neglected to invite him to perform, mention his name, or say thank you".

[29] Stills's Madison Square Garden show was professionally recorded and remains unreleased, except for a clip of "Go Back Home" that was broadcast in early 1972 on The Old Grey Whistle Test.

Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US.

He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Véronique Sanson in London, after having met while at a Manassas gig in France, 1972.

Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall.

[32] Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife announced she wanted a divorce and wished to move back to France, although they temporarily reunited.

After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band.

One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts.

[34] The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross".

In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games".

Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass.

[41] On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides.

[44] Since the pandemic, Stills returned to guest with Brandi Carlile at a tribute concert honoring Joni Mitchell, his first public performance since a benefit in December 2018.

[45][46] In February 2023, Stills announced his co-headlining appearance with Neil Young at a Light Up the Blues event, due to take place in April.

[1] On January 30, 2025, Stills appeared at the FireAid benefit concert in Los Angeles where he and guitarist Mike Campbell joined Dawes on stage for a performance of "For What It's Worth".

[50] In 1969, Stills released the song "Suite: Judy Blue Eyes", written in an attempt to win back her love.

"[51] In the early 1970s, heartbroken, Stills recorded "So Begins the Task", and "Bluebird Revisited"—an updated version of his Buffalo Springfield song.

Buffalo Springfield in 1966
Crosby Stills Nash and Young 1970
Manassas (TopPop 1972)
Crosby, Stills, Nash & Young, August 1974
Stills (far right) performing in 1974 with Crosby, Stills, Nash and Young.
Stephen Stills 1978 by Mitchell Weinstock
Stills performance in Essen, West Germany, on June 17, 1983
Stills in Boston 2011
Stephen Stills, 1972