Director Andrew Davis drew inspiration for Stony Island from his brother’s experience growing up in a changing South Side Chicago neighborhood and forming a band with local kids.

Featuring natural performances by real musicians and a jazzy, energetic soundtrack, the movie balances personal moments, raw emotion, and cultural commentary with charm and sincerity, solidifying its legacy as a vivid portrait of its time and place.

Club highlights Stony Island as a vibrant and grounded debut from Andrew Davis, blending urban grit with a rich sense of Chicago’s late-’70s culture.

Co-written with Tamar Hoffs, the film follows two aspiring musicians, played by Davis’ brother Richie and Edward Robinson, navigating their R&B dreams amid a city shaped by slushy streets, high-rises, and political undercurrents.

Featuring contributions from jazz legends David Sanborn and Hiram Bullock, alongside early performances by Dennis Franz and Meshach Taylor, Murray praises its authentic atmosphere and heartfelt focus, showcasing Davis’s talent for capturing personal, music-driven stories.

He commends the film’s grounded acting, dynamic cinematography by Tak Fujimoto, and its impressive execution on a modest budget, ultimately recognizing Stony Island as an enjoyable and credible indie effort.

[6] Charles Champlin’s review of Stony Island in the Los Angeles Times acknowledges the film’s sincerity and musical energy but critiques its loose, improvisational structure doesn't works in its favor.

[7] Bruce McCabe of The Boston Globe praises Stony Island as a vibrant, bittersweet film brimming with energy, charm, and ambition, with Chicago portrayed with raw, dynamic character.

While noting minor missteps, such as inadequate buildup, he highlights the engaging performances of the non-professional cast and the film’s ability to balance emotional depth with gritty musical energy.