[3] These street musicians were the origin of the idea for the film, as Larkin had stated that "they would make a great focal point for my abstract images".

[3] The film consists of five or six vaguely defined segments whose animation matches the pace of the music to which it is set.

[4] A transition leads to images of a man's body transforming into abstract improvisational forms using line shading and watercolours.

[3] Chris Robinson stated that the film's awkward ending is indicative of Larkin's creative hesitancy, as the last image is a figure waiting for music.

[10] In 2000, after having lived on the streets in Montreal and spending his nights at the Old Brewery Mission, Larkin met Chris Robinson.