Subtractive color

The subtractive color mixing model predicts the resultant spectral power distribution of light filtered through overlaid partially absorbing materials on a reflecting or transparent surface.

Each layer partially absorbs some wavelengths of light from the illumination spectrum while letting others pass through, resulting in a colored appearance.

[1] The subtractive model also predicts the color resulting from a mixture of paints, or similar medium such as fabric dye, whether applied in layers or mixed together prior to application.

Ideally, the cyan ink is completely transparent to green and blue light and has no effect on those parts of the spectrum.

Purely photographic color processes almost never include a K component, because in all common processes the CMY dyes used are much more perfectly transparent, there are no registration errors to camouflage, and substituting a black dye for a saturated CMY combination, a trivial prospective cost-benefit at best, is technologically impractical in non-electronic analog photography.

Subtractive color mixing
An 1877 color photo by Louis Ducos du Hauron , a French pioneer of color photography . The overlapping subtractive yellow, cyan and red (magenta) image elements can be seen clearly along the edges of the image.
An RYB color wheel
Classification of pigment colors
Cyan, magenta and yellow color filters