Published in part in the November 1915 issue of Poetry, then in full in 1923 in Harmonium, it is now in the public domain.
The first published version can be read at the Poetry web site:[1] The literary critic Yvor Winters considered "Sunday Morning" "the greatest American poem of the twentieth century and... certainly one of the greatest contemplative poems in English" (Johnson, 100).
[2] Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice.
For Vendler, the stratagem which Stevens employs in attempting to accomplish this purpose is "of writing of himself in the third person, not as 'he' but as 'she', adopting a female persona for reflections that might at the time have seemed too 'unmanly' to be voiced with a masculine pronoun: 'Divinity must live within herself', declares the woman who has decided to celebrate Sunday at home with 'Coffee and oranges' instead of going to church.
"[4] The critic Robert Buttel sees the poem as establishing the French painter Matisse as "a kindred spirit" to Stevens, in that both artists "transform a pagan joy of life into highly civilized terms.