[4] Editors at AllMusic rated this album 4 out of 5 stars, with critic Mark Deming writing that this release "Bird making a straightforward jazz album, or at least his version of a straightforward jazz album", with musicianship that "is suburb, coaxing an evocative tone that moves past the traditional approach" to violin-playing on Bird's part with a "dark, smoky voice that beautifully complements the sweet sadness of his vocals that results in "an LP that reminds us just how quietly brilliant Andrew Bird can be".

[2] Writing for musicOMH, John Murphy rated this release 3 out of 5 stars, characterizing it as "a perfect soundtrack for a Sunday morning coffee and contemplation session as the indie-folkster explores the Great American Songbook", but lacking the emotional depth of Bird's previous work.

[6] Jim Shahan of No Depression called this work one that has "stellar" performances with a "rock-solid rhythm section" and especially strong vocals.

[1] This was an Editor Pick in Spill Magazine, where Ljubinko Zivkovic rated it a 9 out of 10, ending his review that the combo "love and fully understand these songs making their interpretations sound as good and fresh as any by key artists in jazz".

[8] In a profile for WBEZ, Hannah Edgar calls this music a "new direction" for Bird and an "about-face" for covering jazz standards that has the feel of an intimate combo.