At such time, in April 1977, a four-day benefit concert entitled the "Rolling Coconut Review" in Tokyo was held, and since Stuff participated in it, Kuniyoshi and others attended it in order to watch that jazz-funk band's stage.

[nb 2] Time (Is) of Sputnikmusic pointed out that the album benefits from two things: "it has the infectious catchiness of your regular old pop song in unison with soothing harmonies and a smoking hot band laying down grooves bound to worm its way into your head, and it has the capability to experiment with the pop art form and could afford to take risks with deep cuts such as the delicate ambiance of 'Sargasso Sea' and the classical-meets-funk fusion 'Furiko no Yagi' to back it up.

"[6] Regarding the cover artwork based on white, Japanese studies scholar Laurence Green of SOAS University of London described that there's something about the cover art that presents a quiet, comfortable confidence, resting pretty in a chic, distinctly Japanese minimalism of white, and its unadorned style has utterly modernist in outlook, and yet somehow also avant-garde, primitive in its simplicity.

[12] The people playing on the album—including a pre-Yellow Magic Orchestra Ryuichi Sakamoto and Haruomi Hosono both, and Tatsuro Yamashita as well as Yasuaki Shimizu—also contributed to its status.

"The mixture of jazz, funk and pop gave birth to the album, it seems timeless in its pure beauty, yet so clearly shaped by the aesthetic conceptions of the time, which was able to only come about in exactly this line-up.

"[6] In 2007, the album CD was remastered and reissued in a limited edition as one of "Taeko Ohnuki CROWN YEARS Paper Sleeve Collection".

It was supervised by Ohnuki and included mini-LP replica paper sleeve, three bonus tracks, and liner notes newly written by herself.