However, no formal arrangement for this eventuality had apparently been made by the autumn of 1963, when Hawker received a phone call from Philips A&R director Johnny Franz.
[3][4][5] The song was produced using the Wall of Sound production method first conceived by Phil Spector, while the various instrumental features in the arrangement such as backup singers, double-tracked vocals, and a horn section were inspired by groups such as the Shirelles.
Raymonde's arrangement is unmistakable, with its relentless "ticker-ticker" beat and cascading drum rolls, full-on choirs and "Tower of Power" horn section pitched against soaring rock strings.
Springfield also recorded the song with an almost identical arrangement in German, with the title "Auf dich nur wart' ich immerzu".
The Bay City Rollers recorded "I Only Want to Be with You" for their 1976 album Dedication in June and July 1976 at Soundstage Studio in Toronto with producer Jimmy Ienner.
In the US "I Only Want to Be with You" was issued as advance single from Dedication in August 1976: that October the track reached a Billboard Hot 100 peak of number 12, besting the number 28 peak of the precedent Bay City Rollers' single "Rock and Roll Love Letter" while failing to match the Top Ten success the group had enjoyed in 1975–1976 with "Saturday Night" and in 1976 with "Money Honey".
[31] Nicolette Larson remade "I Only Want to Be with You" for her album All Dressed Up and No Place to Go produced by Andrew Gold and recorded October 1981 – January 1982 at Sunset Sound.
Reviewing All Dressed Up and No Place to Go, High Fidelity critic Steven X. Rea cited "Dusty Springfield's 60s gem 'I Only Want to Be with You'" as one of several tracks which "Nicolette sings in an awkward warble, devoid of any emotional range".
[38] It drew similarly dismissive reaction from Tom Long of the Santa Cruz Sentinel, who rated the original 1963 hit a "swell oldie [that's an] ingratiating piece of fluff" and Larson's remake "awful [although] despite uninspired vocals and sheet musicianship [it] sounds good on the radio simply because the song itself sounds good and tickles forotten memory synapses".
"[40] Tim Gebhart of the Rapid City Journal was more positive: "Larson['s] version remains true to the original but also contains her own special touch in the vocals.
[45] Released as the follow-up single to the album's title cut, "I Only Wanna Be With You" was promoted with a music video which included scenes of Fox hunting through rubbish bins, dancing, fireworks, and the singer in bed with her bespectacled lover.
In the United States, where "I Wanna Have Some Fun" had been a Top Ten hit, "I Only Wanna Be with You" rose no higher than number 31 and would mark Fox's final Billboard Hot 100 appearance: in Fox's native UK her version outperformed her previous six single releases with a number-16 peak, but would also become her final major hit, bar her 1998 one-off comeback single "Santa Maria".
In his opinion, the British singer made a serious mistake after the "sheer excellence of "Love House", adding that the decision to use a "tired remake of an old hit" will grant her a "first class ticket back to bimbo land.