Symphony No. 30 (Mozart)

[4] A transitional section follows which contains a dialogue between violins and bass alternating between loud and soft dynamics and ending with a trill.

The first is a ländler scored for two violins against bass while the second is a minuet for the tutti featuring trills on almost every beat.

Following the recapitulation, the movement coda returns to this minuet and regularizes its phrase lengths before the final cadence.

[4] In the trio of the minuet, the first violin is syncopated an eighth note ahead of the accompaniment.

The answering phrase and the movement's second theme have a contradanse character.