It was written for and dedicated to the BBC Philharmonic Orchestra, by whom it was premiered on 19 June 2000 at the St Magnus Festival, in the Pickaquoy Centre, Kirkwall, Orkney, conducted by the composer.

[1] The composer describes the Seventh as his "most classical" symphony, with particular dependence on the music of Joseph Haydn.

[2] The symphony is scored for piccolo, two flutes (second doubling alto flute), two oboes, cor anglais, two clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, three trombones, tuba, timpani (a tom-tom or roto-tom may be substituted for the piccolo timp), five percussionists (playing glockenspiel, marimba, crotales, tubular bells, 2 wood blocks (small, medium), tambourine, bubbolo, side drum, 2 bass drums (small, very large), antique cymbals, small suspended Chinese cymbal, clashed cymbals, 2 suspended cymbals (small, large), tam-tam), harp, celesta, and strings.

[2][1] Although the composer points to the simple, two- and three-part string writing at the beginning of the third, slow movement, as representing the spirit and style of Haydn's middle period,[2] the following build-up and climax has been seen as owing a heavy debt to Gustav Mahler.

[2] After a dramatic accelerando, a quotation from the slow movement arrives, followed by an inconclusive ending that links to the opening of the First Symphony,[1] "so that the whole cycle could start over again".