[3] Tonatiuh's symbolic association with the eagle alludes to the Aztec belief of his journey as the present sun, travelling across the sky each day,[4] where he descended in the west and ascended in the east.
[8][9] In Toltec culture, Tonatiuh is often associated with Quetzalcoatl in his manifestation as the morning star aspect of the planet Venus.
According to an account by Franciscan missionary Bernardino de Sahagún, following the sacrifices of Nanahuatl and Teucciztecatl in a great fire, Tonatiuh rose weakly and did not move until the wind god Ehecatl (also known as Quetzalcoatl or called Ehecatl-Quetzalcoatl) executed Xolotl and blew Tonatiuh into motion.
[11] The telling of this version of the creation of the fifth sun was captured in a text that read:And they say that, even though all the gods died, In truth, still he did not move.
[17]Early Pre-Columbian scholars have long identified Tonatiuh as the central deity of the Aztec calendar stone.
[9][18] Tlaltecuhtli is often depicted in Aztec art with an open mouth and a sacrificial knife known as a "flint" representing a tongue.
In certain depictions, Tonatiuh is painted in the colour red and is seen wearing an eagle feather headdress, holding a shield that could be a solar disc.
[20] This particular form of symbolism points to ritual of human sacrifice, which was associated with Tonatiuh and his devouring of the hearts of victims.
[22] In a translation of his writings, the Spanish conquistador Bernal Díaz del Castillo speaks of the Aztec's reference to Alvarado as "the Sun".
Castillo describes Alvarado and Hernán Cortés meeting the Aztec ruler, Moctezuma II and being accompanied by his men, an encounter which includes a description of Alvarado's features:The ambassadors with whom they were travelling gave an account of their doings to Montezuma, and he ask them what sort of faces and general appearance had these two Teules who were coming to Mexico, and whether they were Captains, and it seems that they replied that Pedro de Alvarado was of very perfect grade both in face and person, that he looked like the Sun, and that he was a Captain, and in addition to this they brought with them a picture of him with his face very naturally portrayed and from that time forth they gave him the title of Tonatio, which means the Sun or the Child of the Sun, and so they called him ever after.