Tallulah is a 2016 American comedy-drama film written and directed by Sian Heder (in her feature directorial debut) and starring Elliot Page, Allison Janney, and Tammy Blanchard.
[3] Living in her rundown van while travelling around America, homeless teenager Tallulah and her boyfriend Nico survive the streets by stealing credit cards.
To Tallulah's confusion, Carolyn lets her child wander around naked and play with dangerous objects and admits that she is not invested in being a mother.
Tallulah bonds with the young Maddy, bathing her and playing games, before a devastated Carolyn arrives back at the hotel, distraught that the man did not want her.
After Carolyn drunkenly passes out, Tallulah prepares to leave, but impulsively decides to take a crying Maddy back to her van to spend the night until further notice.
Frustrated with their questioning, Carolyn leaves the hotel to distract herself and discovers that her husband has cancelled all her credit cards, much to her fury.
At Margo's apartment, Carolyn and the police arrive after a tip from Stephen and Andreas, who recognized Lu from a newspaper article reporting Maddy's abduction.
After a tearful Carolyn tells her that she does want her child, Tallulah reluctantly hands Maddy back to her and is arrested by the police.
By the time that Mother was released in May 2006, Heder had completed the feature-length screenplay for Tallulah, based on her perception of women who "probably know they shouldn't have kids, but then they do it anyway".
"[5] In May 2015, it was announced that Elliot Page[a] and Allison Janney would star in the film's lead roles, after working together previously on Juno (2007) and Touchy Feely (2013).
The website's critical consensus reads, "Tallulah's narrative insight, thoughtfully written characters, and talented cast add up to an absorbing family drama that transcends genre tropes and capably overcomes its flirtations with melodrama.
[15] Geoff Berkshire of Variety also praised the two leads and stated "Heder's script likely won't please those who prefer their indie dramas naturalistic and event-free.