[8] The song describes hope, a deep and unwavering faith in the relationship between man and God, focusing on His unconditional love.

The speaker in the song expresses feelings of affection, compassion, and support that he receives from God both in moments of crisis and weakness and in joy and happiness.

[16] On 17 September, Israeli singer Sasson Shaulov released a cover version of the song, as a single off an album.

Elitzur, the original performer of the song, said he had no interest in honor and that the main thing was that the people of Israel be happy.

"[27] Jonathan Rons and Aviad Markowitz in a column in HaAyin HaShevi'it wrote similar things, and added: "The song produces a much more brutal form of self-acceptance - repression.

[31] Ravit Hecht, in a critical article in Haaretz, wrote that the experimental expectation in the song "reveals the depth of the individual's present-day plight; a well-dug pit, which deprives the solution of human ability.

"[32] Yarden Avni, in a review column in Calcalist, wrote that the song is problematic because it relieves the person of self-criticism and activism regarding the situation.

[22] Rabbi Ilai Ofran, in an interview with Ynet, claimed that the song's success stems from both its light music and the person's need to hear that they are loved.

He also claimed that the song represents processes in religious society and shows an attitude of extreme individualism, self-interest that replaces values.

[22] Rabbi Yoni Lavie wrote that the song was successful against a backdrop of despair due to the Gaza war.

[34] Haaretz reporter Josh Breiner criticized the song, which expresses joy against the backdrop of the Gaza war and ignores its 1,800 casualties.