(also written Tanda Tanya, meaning Question Mark) is a 2011 Indonesian drama film directed by Hanung Bramantyo.

It stars Revalina Sayuthi Temat, Reza Rahadian, Agus Kuncoro, Endhita, Rio Dewanto, and Hengky Sulaeman.

The film focuses around Indonesia's religious pluralism, which often results in conflict between different beliefs, represented in a plot that revolves around the interactions of three families, one Buddhist, one Muslim, and one Catholic.

[2] Owing to the film's theme of religious pluralism and controversial subject matter, Bramantyo had difficulty finding backing.

focuses on interfaith relations in Indonesia, a country wherein religious conflicts are common, and there is a long history of violence and discrimination against Chinese Indonesians[3] and other minorities.

The storyline follows three families living in a village in Semarang, Central Java: the Chinese-Indonesian Buddhist Tan Kat Sun (Hengky Sulaeman) and his son Hendra (Rio Dewanto), the Muslim couple Soleh and Menuk, and the Catholic-convert Rika and her Muslim son Abi.

Already in his 70s, Sun falls ill and the restaurant is taken over by Hendra, who decides it will serve exclusively pork, alienating their Muslim customers.

Rika feels stressed as a result of how she has been treated by her neighbours and family after converting to Catholicism from Islam; Abi is also facing ostracism.

After the attack, Hendra reads the 99 names of Allah and converts to Islam; he attempts to approach Menuk, although it is unclear if she will accept him.

[12] The film, his fourteenth, is one of several Islam-themed movies he has directed, after the polygamous romantic drama Ayat-Ayat Cinta (The Verses of Love; 2008) and the biopic Sang Pencerah (The Enlightener; 2009).

[13] Fearing that the theme of pluralism would be taken as a "battle cry", some investors abandoned their commitments;[14] Bramantyo was also unable to find support from mainstream studios.

The director of Mahaka Pictures, Erick Thohir, stated that his company had assisted with production because he "was disturbed by the fact that Indonesian films have declined in quality".

[1] Two songs by the Indonesian band Sheila on 7, "Pasti Kubisa" ("Sure I Can") and "Kamus Hidupku" ("Dictionary to My Life") were used in the soundtrack, while Satrio Budiono and Saft Daultsyah handled sound editing.

[27] Ade Irwansyah, writing for Tabloid Bintang, notes that the film is a "microcosm" of Indonesia, which has numerous religious groups that often come into conflict.

is settled when the characters begin believing that all religions are good, and all praise God; thus, all religious conflict would end if people were to accept other beliefs.

[14] Sasono noted that the Muslim majority in the film did not have their motives shown explicitly, be it for the use of the racist term "Cino" or for attacking Sun's restaurant.

[31] He notes that a scene in which a Catholic priest is stabbed by two men on a motorcycle reflects a September 2010 case in Bekasi, which had become a national issue.

[32][33] He further describes the camera angles as vulgar, abandoning subtlety, but suggests that they made the work more dramatic; he indicates that this was readily apparent with a scene in which part of a mosque falls apart.

Written by Melvy Yendra dan Adriyati, it further expanded the background of the film, including the relationship between Hendra and Menuk.

Indah Setiawati of The Jakarta Post wrote that the film was a "gallant attempt to promoted [sic] moderate Islam and reveal the sensitive issues in the country in a casual way", and that viewers should "get ready to burst into laughter and break down in tears".

[13] Aguslia, writing for Tempo, said that it was better than the 2010 Citra Award winner 3 Hati Dua Dunia, Satu Cinta, which had similar themes.

[14] Meanwhile, the head of the Center For Culture of the Indonesian Ulema Council (Majelis Ulama Indonesia, or MUI) Cholil Ridwan stated that "the film clearly propagates religious pluralism".

during Eid al-Fitr in 2011; the FPI organised a demonstration in front of the station's office, in which hundreds of its members called for further cuts to the film.

[7] Together with Ifa Isfansyah's Sang Penari and Benni Setiawan's Masih Bukan Cinta Biasa (Still Not Just an Ordinary Love), it was the most-nominated film of the year; however, ?