Tarquinia (Italian: [tarˈkwiːnja]), formerly Corneto, is an old city in the province of Viterbo, Lazio, Central Italy, known chiefly for its ancient Etruscan tombs in the widespread necropoleis, or cemeteries.
The ancient burial grounds (necropoleis), dating from the Iron Age (9th century BC, or Villanovan period) to Roman times, were on the adjacent promontories including that of today's Tarquinia.
[6] His successor, Lucius Tarquinius Superbus, played a crucial role in establishing key institutions fundamental to Rome's administrative and societal structure.
[6] Numerous Roman religious rites and ceremonies derived from Tarchuna, and even in imperial times a collegium of sixty haruspices continued to exist there.
[5] The emergence of Tarchuna as a trading power as early as the 8th Century BC was influenced by its control of mineral resources located in the Tolfa Hills to the south of the city and midway to the Caeretan port of Pyrgi.
The importance of Tarquinii to archaeologists lies mainly in its necropolis, situated to the southeast of the medieval town, on the hill named "Monterozzi".
The oldest of them is probably pre-Etruscan; in some of these tombs are hut-shaped urns, many of which contain well-preserved paintings of various periods; some show close kinship to archaic Greek art, while others are more recent, and one may belong to the middle of the 4th century BC.
Reversion to historical place names (not always accurately), was a frequent phenomenon under the Fascist Government of Italy as part of the nationalist campaign to evoke past glories.
In the late period underworld demons escorting the dead on their journey to the beyond including scenes in the nether world were depicted, and also processions of magistrates and other symbols of the rank of the eminent members of the families buried there.
Measuring c. 44 × 25 m and dating to c. 4th–3rd century BC, it was built in tufa with wooden structures and decorations, notably the famous and exquisite frieze of winged horses in terracotta that is considered a masterpiece of Etruscan art.
The whites are composed of at least 50% Trebbiano and/or Giallo, up to 35% Malvasia and up to 30 other local grape varieties with the exception of Pinot grigio that is specifically excluded from the DOC wines of Tarquinia.