[3] Other examples of bull-leaping scenes have been found in Syria, such as a cylinder seal impression found in level VII at Alalakh (Old Babylonian period, 19th or 18th century BC) showing two acrobats performing handstands on the back of a bull, with an ankh sign placed between them, another seal belonging to a servant of Shamshi-Adad I (c. 1800 BC), besides other Syrian examples.
[4] The assumption, widely debated by scholars, is that the iconography represents a ritual sport and/or performance in which human athletes—both male and female[5]—literally vaulted over bulls as part of a ceremonial rite.
[6] Barbara Olsen, associate professor of Greek and Roman Studies at Vassar College, adds that the sport was probably not especially dangerous for participants.
"From the images it looks like they [leaped over the bulls] successfully—the Minoans tend not to give us too much violent imagery, so the bull-leaping usually ends pretty well,"[5] but the goring scene on the "boxer's rhyton" found in Hagia Triada suggests that injuries were not unknown.
The cow is typically guided by the use of a long rope attached to its horns, so that it runs directly at the performers and is restrained from trampling or goring them should they miss a trick.
[7] The courses landaises are held from March to October on the occasion of festivals in many cities and villages, including Nogaro, Mont-de-Marsan, Dax, Castelnau-d'Auzan, and many other places.
Some recortadores use a long pole to literally pole-vault over the charging animal, which is both larger than the type used in the French sport, and unrestrained by any guiding rope or similar safety device.