The album is notable for its experimental approach and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist and avant-garde sound compared to their previous work.

[5] Notable samples used include Indonesian kecak chanting ("Neue Tanz"), gamelan and short looped vocals ("paa", "fuku", "chiki") for percussion in "Seoul Music", and the final two tracks feature factory noises.

The album also features use of speech through a two-way radio, a prepared piano, a Roland TR-808 drum machine (previously used in BGM), and Prophet-5 synthesizers.

For its single release, the track "Taisō" was given a music video directed by Haruomi Hosono and Norimasa Okumura.

[9] Yellow Magic Orchestra – Arrangements, Electronics, Sampler, Mixing engineers, Producers Guest musicians Staff