This second group of elements spread the cone of light so that it appears to have come from a lens of much greater focal length.
They also use a curved secondary mirror to relay the image that extends the light cone the same way the negative lens telephoto group does.
This makes them much shorter, lighter, and cheaper than an all refractive lens, but some optical compromises, primarily the "doughnut" shape of out-of-focus highlights, are caused by the central obstruction from the secondary mirror.
It is designed for use with a medium format Hasselblad 203 FE camera and weighs 256 kg (564 lb).
These are called retrofocus lenses or inverted telephotos, which have greater clearance from the rear element to the film plane than their focal length would permit with a conventional wide-angle lens optical design.
[6] The concept of the telephoto lens, in reflecting form, was first described by Johannes Kepler in his Dioptrice of 1611,[7] and re-invented by Peter Barlow in 1834.
[9] In 1883 or 1884, New Zealand photographer Alexander McKay discovered he could create a much more manageable long-focus lens by combining a shorter focal length telescope objective lens with negative lenses and other optical parts from opera glasses to modify the light cone.
One of McKay's photographs shows a warship anchored in Wellington harbour about two and a half kilometres away, with its rigging lines and gun ports clearly visible.
[10] The other, taken from the same point, is of a local hotel, the Shepherds Arms, about 100 metres distant from the camera.