Ten North Frederick is a 1958 American drama film in CinemaScope written and directed by Philip Dunne and starring Gary Cooper.
In April 1945, outside the titular address in the fictional town of Gibbsville, Pennsylvania, a radio reporter is describing the funeral of distinguished attorney Joseph Chapin (Gary Cooper).
While his shrewish wife Edith (Geraldine Fitzgerald) delivers his eulogy, daughter Ann (Diane Varsi) thinks back to Joe's fiftieth birthday celebration five years earlier.
Via a flashback, we learn rebellious ne'er-do-well son Joby (Ray Stricklyn) has been expelled from boarding school and wants to pursue a career as a jazz musician, a decision Edith feels will harm the family's reputation.
The ambitious woman is determined to get Joe elected Lieutenant Governor, and she uses her wealth, political connections, and social influence to achieve her goal.
Threatening this ambition is Ann's secret marriage to trumpet player Charley Bongiorno (Stuart Whitman), who seduced and impregnated the naïve girl.
Corrupt power broker Mike Slattery (Tom Tully) and district attorney Lloyd Williams (Philip Ober) intervene.
Shortly after, Ann suffers a miscarriage, and when she learns her father condoned the deal that drove her husband away, she leaves home and moves to New York City.
Angry with her husband, she reveals she once had an affair with Lloyd and bitterly tells him she wasted her life ministering to a failure.
When the young woman's friends mistake Joe for her father, he realizes that he's unable to handle their huge age difference and ends the affair.
[8] O'Hara then entered into a screenwriting contract with the studio, to do three scripts over three years working on The Best Things in Life Are Free and The Bravados.
[23][24] In his review in The New York Times, Bosley Crowther wrote that the film "has been so sharply reduced in scope from what it was in the novel and the backgrounds of its people have been so pruned that it fails to explain the whys of their troubles, into the middle of which we're suddenly thrown.
"[25] According to Variety: "The screen telling of the John O'Hara novel sacrifices detail and explanation at some loss to audience satisfaction.
"[26] TV Guide awarded it 2½ out of a possible four stars and called it "a confusing movie from a complex book with a performance by Cooper that almost manages to save the story.