This release was recorded without permission at National Geographic's studios after hours and mixed in Los Angeles by Hilary Bercovici, a friend of Frank's.

[2] The EP showcased Moore's burgeoning talents, his aggressive, experimental programming and Jared Hendrickson's apocalyptic vision of the world.

It was noisy yet hooky, the sound a mixture of Ministry, Front 242, Skinny Puppy and such first-wave industrial bands as SPK and Throbbing Gristle yet distinctly their own.

Hendrickson's aggressive promotion ensured that the EP was reviewed in most of the music magazines and trade journals of the day and the first 1000 vinyl copies sold out very quickly.

All tracks are written by Joe Frank, Jared Louche, Dylan Thomas MooreAdapted from the 10 Ton Pressure liner notes.