The Trianon Palace (now Teatro Alcázar), an honored place with the cuplé genre, announced her as Zazá; she began her artistic career in 1912, at the age of nineteen.

Among her most outstanding hits, was Hora del té in 1913, an Argentine-style tango by Álvaro Retama and Ricardo Yust.

[1] In 1917, she was part of the show in honor of Manolita Rosales, who was saying goodbye to the city, along with the duo Carlos Gardel and José Razzano and the tonadilleras Emilia Benito and Antonia Costa.

In 1922, Zazá worked in Buenos Aires, in a film program under the direction of maestro Carlos Macchiavelli along with three debutant artists: the Spanish dancer, Natividad Álvarez ("Nati, la bilbanita") and the national singer, Mario Pardo.

She recorded impressive seasons with the Italian transforming Leopoldo Fregoli, the singer Carlos Gardel, and the Galician dancer, La Belle Otero, among others.