The film stars Margot Robbie alongside an ensemble cast, featuring Simon Pegg, Dexter Fletcher, Max Irons, and Mike Myers.

The plot follows the intertwining lives of two assassins, a fatally ill teacher, a custodian, and a waitress, all of whom become part of a murderous plan.

Back at the train terminal, the waitress takes Bill to an abandoned air shaft and tries to talk him into committing suicide.

On 12 February 2016, it was announced that Margot Robbie would headline and produce a "noir thriller" written and directed by Vaughn Stein, through her production company LuckyChap Entertainment.

[8] On 24 May 2016, Simon Pegg, Mike Myers, Max Irons and Dexter Fletcher joined the cast alongside Robbie.

[18] In the United Kingdom, it received a 15 certificate by the British Board of Film Classification for "strong language, violence, suicide references, threat".

[20] It was released on Blu-ray, DVD, Digital and On Demand in the United Kingdom and Ireland on 6 August 2018 by Arrow Video.

The site's critical consensus reads, "Worth seeking out for only the most hardcore of Margot Robbie completists, Terminal lives down to the medical definition of its title in dreadfully derivative fashion.

"[22] On Metacritic, the film has a weighted average score of 27 out of 100, based on 20 critics, indicating "generally unfavorable reviews".

[23] Rolling Stone's Peter Travers panned the film, awarding zero stars, stating, "The title of this wretched Tarantino-meets-Blade Runner noir rip-off doubles as a diagnosis".

[24] Rex Reed of the New York Observer also awarded zero stars, calling the film "a turgid, pretentious, and incomprehensible existential joke.

"[25] David Edelstein of Vulture gave a negative review, criticising the plot's focus, saying, "since the film doesn't establish a baseline of reality, it's hard to pick out a premise.

"[26] David Ehrlich of IndieWire gave the film a D, writing, "Vaughn Stein's Terminal takes a mess of dead tropes and Frankensteins them together into a crime saga that's in desperate need of brains.

heavily criticised Stein's direction and wrote, "no amount of pretty pictures could save a script this abysmally written.

"[29] Clint Worthington of Consequence of Sound heavily criticised Stein's direction, calling the film a "waste of time" and "An entirely empty exercise in dated, exhausting hyper-stylized filmmaking.

"[30] Richard Roeper of the Chicago Sun-Times praised the film, awarding three out of four stars, writing, "The final 15 minutes or so of Terminal are flat-out nutso.

"[31] Kenneth Seward Jr. of IGN gave a mostly positive review, scoring the film a 7.5 out of 10, indicating it is "Good", stating, "Terminal is an interesting revenge story that mostly works.

"[33] James Berardinelli of Reelviews gave a mixed review, awarding the film two and a half stars out of four, writing, "At its best, Terminal is a tasty, tangy parfait – a kaleidoscope of neon-tinged visuals and a twisty storyline with a tortured timeline."

[34] John DeFore of The Hollywood Reporter gave a mostly negative review criticising Stein's direction, writing, "An airless debut that says much about its writer-director's cultural diet and little about anything else in the world, Vaughn Stein's Terminal blends tropes from several sorts of crime flicks into a soundstagey affair that's more brittle than hard-boiled.

"[35] Jeannette Catsoulis of The New York Times also gave a negative review, calling the film "a flashy, hyperstylized bore.

"[36] Shaun Munro of Flickering Myth gave a mostly positive review, stating, "It's messy and navel-gazingly ostentatious, but fitfully entertaining thanks largely to a scene-stealing, against-type performance from Simon Pegg.