The episode was written by show creator Dana Terrace, Luz Batista, and Emmy Cicierega, and directed by Bosook Coburn and Amelia Lorenz.

Luz has also entered a state of depression, due to her guilt of indirectly helping Emperor Belos meet The Collector, thus setting all the trouble in the Boiling Isles into motion.

Near late October, while Luz is at school, her friends find a small box in the floorboard of the abandoned house next to the Noceda residence.

Upon arriving at the Gravesfield Historical Society, Masha, the curator and a friend of Vee from the time she posed as Luz, informs them that the map contains a rebus.

Amity decides to surprise Luz with the discovery at the annual Gravesfield Halloween Festival as a way to celebrate their last days in the Human Realm.

At the Festival, the group attends the Haunted Hayride, led by Masha, where they learn the story of the Wittebane brothers: two orphaned boys, Philip and Caleb, came to Gravesfield and became witch hunters until Caleb met and fell in love with a witch named Evelyn, and followed her to the Demon Realm, with Philip following in pursuit.

Hunter has another vision of Belos and tells Luz about the surprise Amity had planned for her, suggesting they should find the Titan's Blood first to make sure the others won't get into trouble.

Meanwhile, Camila discovers Luz's video diaries, and after watching the final one about staying in the Human Realm, she quickly leaves to find her.

With the discovery, Belos takes full control over Hunter's body, fighting Luz all the while gloating about her involvement in helping him achieve his goals, just as Amity, Willow, Gus, Camila, and Vee arrive.

As everyone mourns Flapjack, Luz finally confesses to her friends that she met Philip in the past and unknowingly helped in his plans to destroy the Boiling Isles.

The story is serialized (BARELY compared to any average anime lmao), our audience skews older, and that just didn't fit this one guy's tastes.

[4][5] Fan response to the cutting of the episodes was extremely negative, with many starting campaigns and petitions to try and get Disney to reverse the decision and air a full season.

[18] Heather Hogan, writer for Autostraddle, praised the episode's LGBTQ+ representation saying that it was "gayer than every other gay Disney and Marvel thing combined, and that was clearly very on purpose.