The Admirable Crichton

[2] The contemporary critic Arthur Bingham Walkley, however, viewed the connection as merely a rumour: "I feel quite indifferent as to its accuracy of fact".

This role begins to take on sinister tones when he starts training Ernest, one of the young aristocrats with them, to break a liking for laboured epigrams by putting his head in a bucket of water whenever he makes one.

Subtitled "The Other Island", the final act is set back at Loam Hall, where the status quo ante has returned uneasily.

To protect her, Crichton explains the impossibility is due to his leaving service, and the play ends with his and Lady Mary's regretful final parting.

Barrie had considered a more controversial resolution – particularly an upbeat ending with Crichton and Lady Mary continuing their relationship – but decided "the stalls wouldn't stand it".

[1] It was produced by Charles Frohman and opened at the Duke of York's Theatre in London on 4 November 1902, running for an extremely successful 828 performances.

In 1903, the play was produced on Broadway by Frohman, starring William Gillette as Crichton and Sybil Carlisle as Lady Mary.

[4] George C. Tyler revived it at the New Amsterdam Theatre in New York in 1931 starring Walter Hampden as Crichton, Hubert Bruce at the Earl of Loam and Fay Bainter as Lady Mary Lasenby.

The play was revived in London in 1988 with Edward Fox as Crichton, and the newly knighted Rex Harrison as Lord Loam.

A scene from the 1902 production, including H. B. Irving as Crichton (left) and Henry Kemble as the Earl of Loam (centre).
Mary (left), Agatha (centre) and Catherine in the 1902 production.
J.C. Buckstone in the 1902 production.