One of its inspirations was probably the series of paintings of the Apostles he had seen in his master Rubens' studio around 1610, produced for the Duke of Lerma.
[1][2][3][4] The smooth brushwork is consistent with the painter's other works from first period in Antwerp.
[1] Around 1914 it and a series of other paintings were acquired from an Italian private collection by the Dutch art dealer Julius Böhler - together the paintings were known as "the Böhler series" after him, though he sold them separately to various museums and private collections.
[1][2][3][4][5] In 2016, the current painting reappeared in the private collection of one Mrs Generet, along with a Self-Portrait by Jacob Jordaens.
Both paintings were then donated to the Koning Boudewijnstichting, which decided to put it on long-term loan to the Rubenshuis, in Antwerp, making it the only painting of the series of van Dyck's apostles series now held in Belgium.