The Astronaut's Wife

The Astronaut's Wife is a 1999 American science fiction thriller film directed and written by Rand Ravich, in his feature directorial debut.

At a farewell party, Streck's aggressive behavior catches Jillian's attention before he suddenly dies from what NASA attributes to a stroke.

She tells the doctor that earlier in her life, after her parents died, she sought psychiatric care because she started to see her loved ones dead, including herself.

As a backup plan, he has sent her a key to a self storage locker that has a VHS video cassette that explains that there was a signal in space near Spencer and Streck when they lost contact with NASA.

When Spencer breaks his way into the apartment, she has flooded the kitchen floor with water, with a radio in the sink and an extension cord plugged into the wall.

[2] New Line President Michael De Luca acquired the screenplay following interest from several competing studios including Columbia Pictures.

The site's critics consensus reads: "Despite the best efforts of its talented leads, The Astronaut's Wife moves at a snail's pace and fails to generate enough intrigue to keep viewers engaged.

"[4] Metacritic assigned the film a weighted average score of 37 out of 100, based on 17 critics, indicating "generally unfavorable reviews".

[6] Joe Leydon of Variety wrote, "Rosemary's Baby gets an extraterrestrial twist in The Astronaut's Wife, an aggressively stylish but dramatically flaccid drama that plays like an upscale reprise of a '50s sci-fi potboiler,"[7] while Owen Gleiberman of Entertainment Weekly rated it C+ and wrote, "The movie is far from incompetent; it simply has too few surprises to justify its indulgent atmosphere of malignant revelation.

"[8] Janet Maslin of The New York Times wrote that the direction was better than she expected but the writing was "ridiculously derivative,"[9] while Mick LaSalle of The San Francisco Chronicle stated, "The movie might not be perfect, but it deserved better than to be dumped into theaters.

"[10] Kevin Thomas of the Los Angeles Times described it as "a moderately diverting thriller that builds suspense and entertains effectively".