The film also starred Deena Dill, Adella Gautier, and Thomas Mikal Ford.

Glen Sorenson is nearly involved in a wreck with some Rednecks, while driving his daughter, Sophia, to a ballet recital, but makes a stop at his hunting spot.

Later, dirty, Glen has a long beard, and Sophia's ballet costume is in torn up, presumably a great amount of time has lapsed.

In a transient tent camp, a lady, Marjorie Mitchell, knows that Sophia is traumatized by night terrors and visual/auditory hallucinations.

Sophia sees a green lantern, and a young girl that looks normal, and then appears badly burned.

Doe, a nurse's aide in camp, says Sophia is having Psychosomatic hallucinations triggered by emotional trauma, and they need help.

That evening, Father Callihan says children are vulnerable to spirits, and puts his hands on Sophia's head and has a flashback of what she's seen.

Therese has a flashback and sees them in an old car from the 1950s, and in a horrific accident, killing them all, and they were badly burned.

In the past, Glen calls Jennifer and a police officer has her put him on speaker phone, stating it is now 3:30am, and he lost her around 7pm.

The next day, Glen's father Hank meets him in the woods to tell him to go home to his family and make it right, because they're still alive.

After visiting his family, Glen learns that everyone else in that camp are dead people that don't realize it.

[6] Writing for Cryptic Rock, Jeannie Blue, gave the film 3 out of 5 stars, saying that "The Ballerina is most intriguing in its failure to realize any of its potential: the cast – many of whom are making their acting debuts here – are good-to-excellent in their roles, with adorable Isabella Pullen giving a stellar performance in the role of Sophia.

"[5] FrightFest critic, Chris Ward, said "The Ballerina is an ambitious film that was assembled as an obvious labour of love for Steve Pullen but its creative and budgetary limitations hold it back from being a whole lot more than what it ends up being.

"[6] Nerdly critic, Phil Wheat, said "There's some decent, and thankfully spooky, imagery at work here but that can’t compensate for the lack of any other real substance to the film.