Bloom selected poems from every entry in the series through 1997, with the exception of the 1996 volume, edited by Adrienne Rich.
Bloom criticized the 1996 issue in his introductory essay, claiming that Rich had selected poems based on the "race, gender, sexual orientation, ethnic origin, and political purpose of the would-be poet", rather than on aesthetic merit [citation needed].
The Boston Review printed Bloom's preface and in the following issue included responses from, among others, Mark Doty, Ann Lauterbach, Rita Dove, J. D. McClatchy, Donald Revell, Heather McHugh, Thylias Moss, Reginald Shepherd, Carol Muske, Sven Birkerts, and Marjorie Perloff.
[1] Of "Best of" anthologies generally, JoAnn Gutin wrote in Salon.com, "Those who pride themselves on the catholicity or adventurousness of their reading tastes may well take a dim view of the 'Best of' boom.
These are probably the same people who ask for menu substitutions in nice restaurants...or who walk around looking like the wrath of God under the impression that they have a 'personal style.'