[1] It features the voices of Diego Luna, Zoe Saldana, and Channing Tatum, with supporting roles from Ice Cube, Ron Perlman, Kate del Castillo, and Christina Applegate.
Based on an original idea by Gutierrez,[10] the film tells the story of a bullfighter who embarks on an afterlife adventure to fulfill the expectations of his family and friends on the Day of the Dead.
Years later, when María returns to San Angel, Joaquín has become a military hero with the Medal's aid, and Manolo's father Carlos has trained him to be a bullfighter in their family tradition, though his real dream is to be a musician.
They travel to La Muerte's castle, discovering Xibalba, now the ruler of the realm, who explains the bet and smugly reveals that María did not die because she was only bitten once and therefore survived.
[15][16] The opportunity to have The Book of Life produced as a feature film arrived after Gutierrez and his wife, Sandra Equihua, created the Nickelodeon animated series El Tigre: The Adventures of Manny Rivera.
[13] Gutierrez wanted to make the final animation look like the concept artwork saying: "I saw every single one that comes out and my biggest heartbreak is that I see all this glorious art, and then the movie doesn't look like that!
[21] Explaining that the tone of the film as initially conceived was going to be much darker, Gutierrez said, "I always felt, much like the design, I need to push the envelope so that when I pull back, I end up with something I love.
The site's critical consensus reads: "The Book of Life's gorgeous animation is a treat, but it's a pity that its story lacks the same level of craft and detail that its thrilling visuals provide.
"[44] Simon Abrams of The Village Voice wrote that the film's "hackneyed stock plot preaches tolerance while lamely reinforcing the status quo".
[45] Marc Snetiker of Entertainment Weekly gave the film an A−, saying "Overflowing with hyperactive charm and a spectacular sea of colors, it showcases some of the most breathtaking animation we've seen this decade.
"[46] Claudia Puig of USA Today gave the film two and a half stars out of four, saying "The dizzying, intricate imagery is so beautiful, and the Latin-inspired songs catchy enough that the overall effect is often enchanting.
"[47] Sara Stewart of The New York Post gave the film two out of four stars, saying "Just in time for Mexico's Day of the Dead holiday comes this gloriously colorful animated musical, which almost (but not quite) makes up in visuals what it lacks in snappy dialogue.
"[49] Michael Ordoña of the San Francisco Chronicle gave the film three out of five stars, saying "The vibrant animated feature The Book of Life is a cheeky celebration of Mexican folklore with a solid cast, an irreverent sensibility and gorgeous visuals.
"[50] Michael O'Sullivan of The Washington Post gave the film three out of five stars, saying "The Book of Life may use state-of-the-art animation, but it derives its strength from the wisdom of antiquity.
"[52] Frank Lovece of Newsday gave the film three out of four stars, saying "Funny without being frantic, seamlessly switching from dry humor to slapstick, it shows death as a part of life -- and, judging from a preview audience of very young tykes, does so in a gentle, delightful way.
"[53] Manohla Dargis of The New York Times gave the film a negative review, saying "This often beautiful and too-often moribund, if exhaustingly frenetic, feature tends to be less energetic than the dead people waltzing through it.
"[7] Conversely, Charles Solomon of the Los Angeles Times wrote, "The Book of Life juxtaposes overwrought visual imagery with an undernourished, familiar story - regrettable flaws in one of the few animated films to focus on Latino characters and the rich heritage of Mexican folk culture.
"[56] James Berardinelli of ReelViews gave the film three out of four stars, saying "The Book of Life moves breezily from one scene to the next, keeping the pace brisk and rarely skipping a beat.
In an animated universe cluttered with kung-fu pandas, ice princesses and video-game heroes, Gutierrez and del Toro have conjured up an original vision.
"[58] Tasha Robinson of The Dissolve gave the film three and a half stars out of five, saying "It's all flawed, and distracted, and conceptually messy, prioritizing color over common sense and energy over consistency.