"[4] According to a report in The New York Times the journalist, John J. O'Connor, the two filmmakers "Spent more than a year with the neo-Nazis before cameras were allowed to record families and rituals.

[5] In his 1978 report John J. O'Connor said the filmmakers "Succeed all too well as their working-class subjects become grotesque parodies of disturbing elements that can be detected in varying degrees at all levels of society."

"[6] In Film Quarterly, Mitch Tuchman state that "the material is inherently interesting as a bit of American ethnography", but continued that Parkes and Crichlow have "a horrible ambivalence toward their subjects".

[4] The opening of this film shows NSWPP member Arnie Anderson recording a racist outgoing message on the party's phone machine.

Portions from both of these were used in the 1980 film The Blues Brothers as the speech given by the leader of the "American Socialist White People's Party" during a rally in a Chicago park, as he taunts angry counter-protesters.