[5] Following the release, Amiri Baraka (then known as LeRoi Jones) published a positive review in DownBeat[6][7] in which he provided the musicians' mailing address, resulting in orders flowing in from across the world.

[2] In 2020, the Corbett vs. Dempsey label, under license from Graves, released The Complete Yale Concert, 1966, bringing together the contents of both LPs on a single CD.

[2] In a 1967 article for Liberator, Graves and Pullen delineated their goals in establishing their own record company, writing of "a music free of Western tradition," and stating: "The first Black men were not slaves to the thought of Europeans...

"[8] In a 1969 interview, Graves spoke of SRP as "a collective thing where we record ourselves, and we do all the distribution... that will stop us from going downtown depending on RCA and Columbia and those companies.

"[7] Val Wilmer wrote: "Graves and Pullen were the first musicians to handle every facet of production themselves – transportation, contracts, invoicing, and so on.

"[12] Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal Magazine, calling the interplay between the musicians "remarkable.