[1][2] AllMusic said: "Collier's love of Malcolm Lowry's texts from his time in Mexico became an obsession, and this work is the biggest payoff for it, whether or not it was understood in its own time ... Collier's vision here is focused, intense, and spiritually charged by Lowry's work.

This is not some jazz with text, where a written text becomes the thematic cause of a group of instrumentalists, but more a series of passages that offered great textural and spiritual depth and dimension by this obviously on fire group of musicians.

The gorgeous chromatic range is almost overwhelming as these players entwine around one another, and the text, further extending the entire notion of collaboration between literature and jazz".

[3] On All About Jazz, Nic Jones noted "Collier could call upon a roster of players every bit as committed to the task of taking his music off the page as Duke Ellington did and, over the course of this work, proven by likes of guitarist Ed Speight and saxophonists Alan Wakeman and Art Themen.

All three turn in potent solos, highlighting the symbiotic qualities that were always a mark of Collier's writing".