By letter, the artist invited the organizations, groups, and entities that had threatened his life to the installation, where a loaded firearm was offered and Azcona stood exposed on a raised platform.

[8] During a Miami exhibition in 2015, twelve children walked into a performance inside the art gallery with firearms in their hands, which was a critique of the laws and the permissibility of weapons in the United States.

[11] The latter was sued three times before the Superior Court of Justice of Navarra for desecration and blasphemy by the Archbishopric of Pamplona and Tudela, who are representatives of the Catholic Church in the north of Spain.

[12][13] The second one, by the Delegation of the Government in Navarra, controlled by the Popular Party at the time, and the third one by The Asociación Española de Abogados Cristianos (Spanish Association of Christian Lawyers), who also made criminal complaints against Azcona.

After five years of judicial proceedings for critical works against the Catholic Church and more specifically, with pedophilia, Azcona declared his " disobedience" in relation to charges, and the complainants included obstruction of justice in their complaints.

[25] Two years later, in 2018, he was denounced by the Francisco Franco National Foundation for exposing in one of his works a detonation report, signed by an architect, of the Monument of the Valley of the Fallen.

In addition, the Círculo de Bellas Artes presented a complete reading of The artist's presumption as a radical and disobedient subject, both in life and in death manifesto.