The Dorchester Review

[3] The editors explained in their first editorial in 2011 that the choice of "a bewigged British soldier, an ... unapologetic colonial governor from the pre-democratic era" is intended to underscore the magazine's belief that "history consists of more than a parade of secular modern progressives.

"[2] The Review's editors wrote in the first issue's opening editorial: We confess another potentially unpopular belief: that, at its core, Canada’s strength and advantage — that of a British liberal society with a strong French national enclave, resilient aboriginal communities, and a vital pluralism born of successive immigrant arrivals — would be void if polemically separated from its European, Judeo-Christian and Classical traditions, which is another answer to: why history.

We are conscious and grateful heirs to an invaluable if variously pressured tradition of free expression and criticism that is found and defended with particular seriousness in the North Atlantic societies, and this we think should be recognized, protected, and always enhanced.

He criticized as "deplorable agitprop" the classroom activity to teach from an alleged Indigenous perspective —the KAIROS Blanket exercise—"brainwashes children into thinking of themselves as ‘settlers’ stealing the land — the kind of 'truth and reconciliation' that is not evidence-based but relies on 'knowledge keepers’ to 'foster truth.

'"[5] The blanket exercise has been widely used in Canada in response to the 2015 Truth and Reconciliation Commission (TRC) call for inclusion of indigenous history in school curriculum as essential for improved relationships with non-indigenous people.

"[8] National Post columnist Barbara Kay described the Dorchester Review as "politically incorrect and iconoclastic" writing which resists "the prevailing progressivist view that historians must choose between a right and wrong side of history," without catering to a specific ideology.

Dorchester Review for sale on a newsstand in The Glebe , Ottawa , November 2011: top left