This theatre was well known for its commitment to new and non-traditional drama, and the inclusion of a West End star such as Olivier in the cast caused much interest.
[18] Melodies by Thomas Hastings ("Rock of Ages"), Arthur Sullivan ("Onward Christian Soldiers" and "The Absent-Minded Beggar"), and George Ware ("The Boy I Love is Up in the Gallery") are also incorporated.
[22] In the same year, a touring production was presented in the British provinces, starring John Slater as Archie and Bobby Howes as Billy.
It was directed by Tony Richardson and starred Laurence Olivier, Brenda De Banzie, Roger Livesey, Joan Plowright, Alan Bates, Daniel Massey, Thora Hird and Albert Finney.
The setting was changed to a seaside resort in the United States; Marvin Hamlisch wrote the music, Tim Rice (Sir Timothy, since 1994) provided the lyrics.
Olivier played Archie to sellout crowds in London and New York, but as critic Janet Feaster observes, when it came to the film, critics were divided, and.”despite a remarkable performance, Olivier ultimately never achieved the stunning success and adoration with the cinematic version that he had enjoyed with the play.“[3] In The Observer, Kenneth Tynan wrote, "Mr Osborne has had the big and brilliant notion of putting the whole of contemporary England onto one and the same stage ...
"[32] In April 1957, The Manchester Guardian was lukewarm, finding the climax of the play "banal" but added, "Sir Laurence brings to the wretched hero a wonderful sniggering pathos now and then and ultimately gives the little figure some tragic size.
[35] In his August 2016 review of the production starring Branagh, Henry Hitchings observed: “As for Osborne's play, it hasn't aged all that well, with its flashes of misogyny now pretty hard to stomach.