Her new toy pleases the child immensely, and at once takes a place in her affections equal to that held by her dollie.

Perhaps that was why the queen of the fairies came to her and invited her to a Halloween party that her loyal subjects were giving in their woodland retreat.

And so that Marie would be perfectly happy, not feel embarrassed among strangers, the queen asked Dollie and Pumpkin to be her guests also.

A fairy Halloween party is one of the finest things going in the amusement line, and only very nice and very good little girls are invited to them.

As Marie filled these requirements, she had a perfectly glorious time, but was inclined to weep when she woke up later in her own little bed, and found that her toys had lost their miraculous gift of life.

Cameramen employed by the company during this era included Blair Smith, Carl Louis Gregory, and Alfred H. Moses, Jr. though none are specifically credited.

Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters.

The reviewer states: "To see the doll and the pumpkin suddenly assume life is interesting and naturally causes the little girl to whom they belong surprise.

"[1] The New York Dramatic Mirror was critical of the production, stating "This sounds as if it ought to be very clever, but aside from the work of the little heroine and the dance of the fairies it is entirely uninspired.

When the aid of fairies is invoked it opens up all sorts of avenues of fanciful treatment, but this film doesn't get away from stolid realities.