Gambir, overcome with emotion, cuts the belly part of one of his sculptures and puts the fetus, named Arjasa, in it, so it would appear "living".

They later marry and his career rises (Arjasa's sculpture being the most acclaimed work), but he is still haunted and becomes dispirited, often causing division between him and Talyda.

Gambir is made watching videos depicting rape, suicide, and a boy being violently abused by his parents.

Gambir goes to Herosase and watches as the bloody boy takes a chef's knife and gleefully performs familicide.

He infuses their red wines with a poison named devilish pit, causing 10 minutes of paralysis, and uses that time to kill them.

The sculptor idea comes from a journalist named Ranti who gave him books and magazines as influences on his imagination.

According to Anwar, while the story is based on an existing material, he added elements of his own into the screenplay by touching on his personal disdain of people who conceive children to conform to society's expectations without any real plans.

Anwar’s direction is equally amazing, giving us a full-frontal approach to the well-executed horror sequences that set this film apart from most of what I have seen in recent time.