Andy Kellman of Allmusic gave the album a mixed review, citing its overtly experimental nature.

"Rather than proper tracks or songs," he writes, "the record seems to have ten "movements," as each piece flows steadily into the next.

Oscillator tweakings mixed with Morse code transmissions and overseas correspondence give way to brief guitar/bass/drum bursts.

Skronking noise here, guitar twists there, and familiar band interplay every now and again à la "QRJ" (off 1000 Hurts) double Dutch with each other, never outlasting their welcome."

He is, however, more favorable in viewing the second half and cites the "bombastic" final movement as "the high point of the record".