[citation needed] Heidi Latsky has had a longtime interest in dance that pushes beyond conventional boundaries.
[2] Latsky's plans for GIMP include adding to its body of work over "the next 5–10 years".
According to the project's Website, the outreach program currently includes: In 2009, Theodore Bale wrote in Dance Magazine of the confrontational aspect of Latsky's approach: the dancers in GIMP ... make the situation reciprocal.
GIMP is without doubt a gleaming milestone in the progress of contemporary dance and theater, making "disabled dancer" an oxymoron.
[4] In his review for The New York Times, Corey Kilgannon quotes dancer Lawrence Carter-Long explaining the GIMP approach: "This is no safe prearranged marriage of dance and disability [...] This is a collision.