[1] It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade.
[6] Another possible inspiration for the series of watercolors and The Gulf Stream itself was McCabe's Curse, a Bahamian tale about a British Captain McCabe who in 1814 was robbed by thieves, hired a small boat in hopes of reaching a nearby island, but was caught in a storm and later died in Nassau of yellow fever; Homer saved an account of the story and pasted it into a travel guide.
"[10] In fact, comparison with an early photograph of the painting shows that Homer not only reworked the ocean, but changed the starboard gunwale by breaking it, added the sail and the red dash of color near the waterline, made the boat's name (Anna – Key West) clearly legible, and painted in the ship at the upper left horizon[10]—possibly to mitigate the sense of desolation in the work.
[14] Its drama is of a romantic and heroic vein, the man stoically resigned to fate, surrounded by anecdotal detail reminiscent of Homer's early illustrative works.
[10] When a viewer requested an explanation for the narrative, Homer fairly bristled in response: I regret very much that I have painted a picture that requires any description....I have crossed the Gulf Stream ten times & I should know something about it.
Homer's version, with its circling sharks, broken mast, lone figure, looming water spout, and open sea give a sense of abandonment.
References to other 19th-century paintings, including The Barque of Dante by Eugène Delacroix, The Slave Ship by J. M. W. Turner, and The Voyage of Life by Thomas Cole have been noted as well.
[18] For art historian Nicolai Cikovsky, Jr., The Gulf Stream is more richly informed by these artistic predecessors than by Homer's direct experiences at sea, with the circling sharks derived from the tortured souls of The Barque of Dante, the dramatic sea and sky inspired by The Slave Ship, and the "mode of pictorial utterance" akin to The Voyage of Life.
[17] Elements in the painting have been interpreted as possessing funereal references: in addition to the black cross in the boat's bow, the open hatch (representing a tomb), ropes (for lowering the body), broken mast and torn sail (shroud) have been cited for symbolic meanings.
[19] The sailor in The Gulf Stream ignores these allusions, as he pays no heed to the sharks, waterspout, nor the ship in the distance, and inverts the optimism of the romantic masterpiece Raft of the Medusa painted earlier in the century by Théodore Géricault.