The Hallelujah Trail is a 1965 American Western epic mockumentary spoof directed by John Sturges, with top-billed stars Burt Lancaster, Lee Remick, Jim Hutton and Pamela Tiffin.
[6][7] It depicts a struggle between a businessman trying to deliver whiskey to Denver by wagon train, his striking Irish teamsters, a barfly militia from Denver eager to ensure that the liquid cargo reaches its destination, temperance women campaigners determined to destroy the booze, a swarm of Native Americans determined to hijack it, and—most essentially—a unit of the U.S. Cavalry trying to control the whole chaotic mess.
In the year 1867, signs that the approaching winter will be a hard one produce agitation in the burgeoning mining town of Denver, as the hard-drinking citizenry fear a shortage of whiskey.
Taking advice from Oracle Jones, a local guide and seer (but only when under the influence of alcohol), the populace arrange for a mass shipment of forty wagons full of whiskey to be delivered by the Wallingham Freighting Company.
Paul Slater of the United States Cavalry is assigned by Fort Russell commander Col. Thaddeus Gearhart to escort the Wallingham Wagon Train, and merely wishes to carry out his orders.
Twice-widowed, crusading temperance leader Cora Templeton Massingale and her followers, informed of the alcoholic cargo, wish to intercept the train and destroy its contents; the group therefore sets out escorted by a second cavalry division under the command of a reluctant Col. Gearhart.
Beneath her composure and grace, and even her occasional ribbing against him, Cora is infatuated with Gearhart from the moment he rides into the fort and spends much of the film trying subtly to win his affection.
Inevitably the various groups converge, and the ensuing property struggle is played out through a series of comic set pieces and several diplomatic overtures by an increasingly weary Gearhart.
The participants then disperse, mostly disappointed; however, for Colonel Gearhart and Captain Slater the story ends with a double wedding, for Wallingham and Oracle with a lifetime supply of whiskey when buoyancy causes the barrels to erupt from the quicksand, and for the winter of 1867 to actually become one of the mildest ever.
The film is presented in a pseudo-documentary style, with a tongue-in-cheek narrator (unbilled John Dehner) providing historical background and context, and periodically interrupting the story to point out animated charts illustrating strategic positions of various groups.
An Army that had fought in the War Between the States — that had bravely battled in many an Indian campaign — now patrolled the West in a time of peace… with ever-present thoughts of home.
Most historians agree that the events leading to the Battle of Whiskey Hills and the subsequent disaster at Quicksand Bottoms began here in Denver at a miners' meeting.
But the meeting of November fourth had a marked air of grim foreboding..." "Companies A and B of the Cavalry escorted the ex-temperance marchers back to their husbands and hungry children at Fort Russell.
[12] Leonard Maltin's Movie Guide (2013 edition) gives The Hallelujah Trail 2½ stars (out of 4) describing Lee Remick's character as a "rambunctious temperance leader" and concluding the write-up with "amiable but lumbering Western satire goes on and on".
Describing the plot as "clumsy" and singling out "thirsty Hollywood-caricature Indians", the review concludes that "Lancaster looks understandably bored to death, and Lee Remick is miscast and wasted".
By the time of the 1986–87 edition, Scheuer slightly ups the rating to 1½ stars and shortens the capsule to a single sentence which calls it a "clumsy comedy" and mentions the "thirsty Indians".
Two additional guides rank the production slightly higher and lower — Mick Martin's and Marsha Porter's DVD & Video Guide (2007 edition) dispenses 3 stars (out of 5), reminding that "[T]hose who fondly remember television's F Troop should adore this cavalry comedy", concluding that it is "[O]verlong, but fun nonetheless", while Videohound's Golden Movie Retriever (2011 edition) throws it only two bones (out of possible four), mentioning Lee Remick's "bevy of ladies against liquor" standing "between the shipment and the would-be whistle whetters" and concluding that it is a "[L]imp Western satire directed by Preston Sturges' brother [Videohound is incorrect — the two directors were not related],[18] who fared much better when he kept a straight face (he also directed The Great Escape)".