The Human Voice

The Human Voice (French: La voix humaine) is a monodrama first staged at the Comédie-Française in 1930, written two years earlier by Jean Cocteau.

Cocteau acknowledged in the introduction to the script that the play was motivated, in part, by complaints from his actresses that his works were too writer/director-dominated and gave the players little opportunity to show off their full range of talents.

It is full of theatrical codes harking back to the Dadaists' Vox Humana experiments after World War I, Alphonse de Lamartine's "La Voix humaine", part of his larger work Harmonies poétiques et religieuses and the effect of the creation of the Vox Humana ("voix humaine"), an organ stop of the Regal Class by Church organ masters (late 16th century) that attempted to imitate the human voice but never succeeded in doing better than the sound of a male chorus at a distance.

There has also been a long line of interpreters including Simone Signoret, Ingrid Bergman and Liv Ullmann (in the play) and Julia Migenes, Denise Duval, Renata Scotto, Anja Silja and Felicity Lott (in the opera).

According to one theory about how Cocteau was inspired to write La Voix humaine, he was experimenting with an idea by fellow French playwright Henri Bernstein.