"[7] Billboard's Jamieson Cox stated that the duo were "leaving on a high note" and lauded the album as "sublime melancholy electro-pop, rich and emotionally resonant without feeling maudlin.

"[1] Ryan Lathan of PopMatters called the album "gorgeously produced" and wrote that it "will never be looked upon as a terribly uplifting experience, but its lyrical content treats heartache, despair, self-hatred, remorse, depression, and the fear of the unknown with utter respect.

"[14] Franklin Jones of Slant Magazine commented, "Though the album doesn't skimp on potentially insufferable moments of bottom-lip-biting farewell [...] the best tracks boast a fiercely renewed energy that suggests Berge and Brundtland still have much more to offer.

"[15] Corinne Jones of The Observer remarked that "[t]he best songs have a dark, brooding quality: the Norwegian duo's once naive sound has evolved to a smarter, more lyrically resonant electronica, and if it weren't for a couple of whimsical ballads, this would be a powerful, cohesive goodbye.

[10] Pitchfork's Marc Hogan expressed, "Despite capable guest vocalists, including Robyn herself, [the album is] generally devoted to glossy, bittersweet electronic drifts that are too slow, too long, or too bland to hold interest for 60 minutes, though often unobjectionable in smaller servings.