[8] Production was handled by Benét and several other record producers, including Walter Afanasieff, Michael Carney, Hod David, Dave Foster, George Nash, Jr., and Demonté Posey.

[10] A departure from the jazzy, groove-based urban sound of Benét's previous work, the album features an adult contemporary radio format style, with sweeping strings, layered vocals, and nimble acoustic guitars.

[11] AllMusic writer Stephen Thomas Erlewine gave it three-and-a-half out of four stars and commented that "The quiet storm is well performed but dull, yet the Prince-styled numbers are engaging, melodic, and nimble, strong showcases for Benet's mellow skills".

[8] Laura Checkoway of Vibe called it "an uneven mix of simplistic sentimentality", stating "Reflective and repentant at times, Hurricane is more likely to sing you to sleep than knock you off your feet".

[13] The Washington Post commented favorably on the album's themes of "healing and redemption", and stated "The spiritual tone often brings out the best in [Eric Benet]'s supple tenor on 'In The End' and other tracks".