The League of Frightened Men

The remainder of the men involved, united together as a "League of Atonement", are in fear for their lives against Chapin's vengeance, but when a third man dies Wolfe determines that he may not be the only threat they face.

After reading a controversial new novel by an author called Paul Chapin, Nero Wolfe reveals to Archie Goodwin that he has been approached by Andrew Hibbard, a psychologist fearing for his life.

Hibbard is a member of “the League of Atonement”, a group of college friends who once played a prank on Chapin that, to their lingering shame and remorse, left him permanently crippled.

Wolfe acquires a list of the other men in the League and summons them to his office, where he proposes to both determine the truth behind the deaths of their mutual friends and remove the threat that they believe Chapin poses.

Wolfe then summons the members of the League to his office, where he produces Hibbard and reveals a confession he has apparently received from Paul Chapin.

[7][a][b] "He read Hegel, Heidegger and Sartre, as well as Dashiell Hammett, Rex Stout and Georges Simenon," the Times Higher Education Supplement wrote of Magritte.

"[9] Magritte's 1942 painting, Les compagnons de la peur ("The Companions of Fear"), bears the title given to The League of Frightened Men when it was published in France in 1939 by Gallimard.

Created during the Nazi occupation of Brussels, it depicts a stormy, mountainous landscape in which a cluster of plants has metamorphosed into a group of vigilant owls.

[10] "The title of this widely exhibited painting—like those of many of his works—was drawn from wide-ranging literary sources, not least the detective novels of Rex Stout," wrote Apollo magazine.

The wartime date of this canvas, painted during the Nazi occupation of Belgium, is significant, for there is a real sense of foreboding in this near monochrome image of beady-eyed, watchful owls.

René Magritte 's 1942 painting, Les compagnons de la peur , bears the title Gallimard used for The League of Frightened Men when Stout's novel was published in France.
Rico Tomaso illustrated the six-part serialized printing of The Frightened Men for The Saturday Evening Post (June 15–July 20, 1935)