Options include modifying their brain structures to serve as sexual companions for humans; using the digients as employees, or raising funds from sympathetic donors.

In the Los Angeles Review of Books, Joan Gordon writes that the novella explores interesting ethical questions including the meaning of consciousness, and the way in which "subjects – human or non-human – become enmeshed in and trapped by the capitalist system".

[2] Elizabeth Bear felt that the story's lack of physical grounding contributed to the feeling that it takes place in a virtual setting.

The Subterreanean Press edition of the novella features ten internal paintings and cover art by Weta Workshop artist Christian Pearce.

Author Elizabeth Bear praised the work for its discussion of complex topics relating to artificial intelligence, calling it "very peculiar ... in the absolute best way possible".

[3] Writing for Publishers Weekly, author Charles Stross praised the work, calling it a "very rare thing: a science fictional novel of ideas that delivers a real human impact".