[6] Stephen Holden of The New York Times wrote that Desplat's "lush score washes over it like an endless tide".

[7] David Ehrlich of IndieWire wrote "the swooning romances scored by the great Alexandre Desplat, the film — much like the twinkling musical tempest the French composer wrote for it — is lush and lacking in equal measure.

"[8] Brian Trutt of USA Today said that the composer's "majestic and stirring string and piano melodies" made the film more wonderous.

[9] Den of Geek writer Mark Harrison said: "Alexandre Desplat’s uncharacteristically cloying score reaches fever pitch before the real emotional bombshells have a chance to register and by the end, it feels like you’re being led by the soundtrack rather than the story.

"[10] David Sims of The Atlantic wrote Desplat's "paint-by-numbers piano score builds on the soundtrack".