The Masque of Indian and China Knights

[5] The French ambassador, Christophe de Harlay, Count of Beaumont, heard that Anne of Denmark was planning more superior and costly events for Christmas time, to be realised as this masque and The Vision of the Twelve Goddesses.

[12] The representation of a Chinese magician in the masque can be seen as an example of cultural appropriation, while the imagined country he describes seems, from Carleton's report, to be a kind of fictionalised Utopia.

The king's favourite, Esmé Stewart, 1st Duke of Lennox may have been involved in this entertainment; the narrator describes himself as "german born", meaning he is a cousin.

[20] At the masque celebrating the baptism of James VI in 1566, Indian nereids had used compasses to navigate their way to Stirling Castle following the Great Bear from the New World.

During the inaugural Entry of Anne of Denmark into Edinburgh in May 1590, actors portrayed the "Moirs of Ind", who dwelt in harmony and abundance by "Synerdas", who had sailed to Scotland to offer her the wise counsel of their "most willing minds".

[23] Carleton says this was a masquerade on 6 January by "Scotchmen" in the Queen's presence involving a sword dance comparable to a Spanish matachin.

[24] There are some similarities in Carleton's description of the Masque of Knights with the Ballet des Princes de la Chine performed at the French court in 1601.

[28][29] The scene opened with Heaven, built in the hall, from where a Chinese magician made a long speech describing his country, comparing it "for strength and plenty" with England.

[31] William Herbert, Earl of Pembroke, presented James VI and I with a shield bearing an impresa or poem, which he explained.

[33] Soon after King James obtained a large table ruby and two lozenge diamonds, for which he sent Vanlore a parcel of Queen Elizabeth's jewels worth £5492–11s–2d in part-payment.

The event ended with the return of the magician who dissolved the entertainment by revealing the identities of the eight masqued English and Scottish courtiers.

The courtier Roger Wilbraham wrote a summary of his impressions of the entertainments at court in January 1604 and their costs;King James was at his court at Hampton, where the French, Spanish, and Polonian ambassadors were severallie solemplie feasted, many plaies & daunces with swordes, one mask by English & Scottish lords, another by the Queen's Maiestie & eleven more ladies of her chamber presenting giftes as goddesses.

Eight courtiers masqueraded as Indian and Chinese knights in Great Hall of Hampton Court on New Year's day 1604
The Masque of Knights was produced by Ludovic Stewart, 2nd Duke of Lennox
King James reminded the audience of a famous performing horse, Marocco