The Masque of Queens

Performed at Whitehall Palace on 2 February 1609, it marks a notable development in the masque form, in that Jonson defines and elaborates the anti-masque for the first time in its pages.

Anne requested jewellery, including two collars set with precious stones and pearls from the Jewel House "for the Quene to weare at the Maske".

Their antics are interrupted and dispelled by the intrusion of the masque proper: the House of Fame is displayed, with twelve virtuous Queens, their apotheosis being "Bel-Anna."

Some modern critics, approaching the masque from a more skeptical if not jaundiced perspective than that of its creators and participants, see the anti-masque as a subversion of the surface intent of the performance.

The work was entered into the Stationers' Register on February 22, 1609, and the edition that followed was printed by Nicholas Okes for the booksellers Richard Bonian and Henry Walley.

Drawing for the costume of Penthesilea for the Countess of Bedford by Inigo Jones . [ 5 ]