[2] The play was produced on stage for 13 nights, which only The Provoked Husband and Zara ran for as long during that time at Drury Lane.
Although early 20th century critics believed that the play could not be popular, it did make money and even put on a benefit show on 2 March 1732.
A witness is found to reveal that Mr Modern originally sold his wife to Lord Richly, which undermines his case and he is unable to gain the extra money.
Such incidents occurred regularly during the 18th century, and even Theophilus Cibber, who played Captain Bellamant, sued William Sloper through the very law.
This play has been performed thirteen Nights with Applause, to very good Audiences, but is now discontinued, on account of the Indisposition of a principal Actress.
"[7] Not every response was as kind, and the Grub-street Journal on 30 March 1732 criticises the play, the plot, and attacks the character of Lady Charlotte as unrealistic.
[11] Robert Hume characterises the play as a "genuine satire (a rarity in English comedy), and it offers one of the darkest comic visions of society since Otway's bitter Friendship in Fashion (1678).
[13] Hume attributes the popularity of the play to Fielding himself, and that the passing of its main actors and the problems with plot discouraged it from being produced again.